|
Draft,
as printed on the labels, of a
STORYVILLE 10” 45 & 78 r.p.m. SHELLACK LABEL LISTING
- including Memory Jazz record.
This is not a discography but an attempt to visualize Karl Emil’s
start as a record producer. At that time Karl was 23 years of age
and was still part-time employee at The Danish Telephone Co. when on
September 16th, 1952 he recorded the four titles below probably on
acetate discs. They are the very first ones he produced and they
were released on November 4th, 1952. The two records were issued on
the Copenhagen based ”Memory Jazz record”
label which also was the Danish distributor of the French ”Vogue”
label. (Vogue Generalagentur, managed by Leth-Hansen
and Arne Bronné Groth.)
In 1955 the company changed
name to ”Grammofonselskabet Vogue” and from the autumn 1955 they
also distributed Swedish Gazell, Danish Storyville and Sonet. From
1956 Vogue is still distributing Storyville and Sonet on behalf of
Knudsen’s and Dyrup’s new enterprise,
I.S. Dansk Grammofonpladeforlag (DGF.)
Memory
Jazz record “Storyville Serien”
(10” 78 r.p.m. shellack
records):
KEK 2
Chris Barber med The Ramblers
Down By The
Riverside (M 502)
Sweet Lovin’ Man (M 503)
KEK 4 CHRIS BARBER with The Ramblers
BUDDY BOLDEN’s Blues (M 504)
AT THE JAZZ BAND BALL (M 505)
Note: Strange way of catalogue numbering! Also, when looking
at the mx. numbers, they suggest that
there may have been recorded a fifth unknown
title allocated to a M
501!
And now, shortly after the releases of the above Karl continued his ambitious efforts to become a legend in the record business. An effort which impressed so many for such a long time. He and a partner by the name of Heinrich Breiling then established the Storyville label each investing DKR. 500,- to finance their three first releases, i.e. KB 100, 103 and 104 in the blue label series below. They became available in shops soon after the above and that was on December 11th, 1952. At some point, however, a disagreement arose between the two partners and finally Karl paid Breiling back his 500,- and for the first time he became the sole owner of Storyville Records. On 10” shellack discs four series emerged as shown below. In the early days head office of Storyville Records was located in Karl’s home at Buddinge Hovedgade 168, Soeborg, just outside of central Copenhagen. He also handled the Swedish Modern Music label from 1953. More than often he himself carried the heavy 78’s into the capital city in the voluminous black telephone company bags trying to sell his stuff to the trade. At this time and in a friendly way he became known in the jazz community as the “Death of a Salesman” (ref. Arthur Miller.)
Notes: KB 211 is a re-issue of KB 101. According to Leif Bjerborg KB 102 and KB 211 have different mx. nos. re. Dead Man Blues by Morton even they are from the same stamper. This also applies to James P.’s Charleston on KB 211. Both are no doubt dubbed masters. Source unknown. Leif also suggests that KB 212 may be a re-issue from the KB 100 series. Moreover it is almost certain that except for the Colyer issues as well as those from the New Orleans Bandwagon- and Jump labels pressing materials for the rest in the two series are received from Tempo (UK) in exchange of a number of Karl’s own recordings. Chris Barber was part owner of the UK Tempo label at that time.
Both titles on KB 214 (released in 1955) were recorded by Timme Rosenkrantz in his N.Y.C. apartment in 1944 and are supposed to be Burleys first recordings. The two acetates are now in the Rosenkrantz collection at Syddansk Universitetscenter.
In the early days as well as in the future Karl always did his homework probably in order to determine what was to be issued or not. Already at this time he acquired material from various sources and he often received test pressings of items to be considered for release. To the purpose of identification he used “blank” Storyville labels and typed source, name of artist and tune title for further reference. Then he listened… I can almost hear Karl mumble something like “not worth a dime!” about the following shown here:
Sources consulted: Brian Rust: jazz Records 1897-1942, 5th Ed; Robert M.W. Dixon & John Godrich: Blues & Gospel Records, 1902-1943, 3rd Ed.; Jørgen Grunnet Jepsen: Jazz Records, 1942-1967; Erik Raben: Jazz Records, 1942-80; Storyville Records & Archives. Individuals: Adrian Bentzon, Leif Bjerborg, Morten Drejer, Anders Dyrup and Michael Thomsen. Special thanks to Peder Hansen for label illustrations and correct label information.
Corrections, additions and comments will be most appreciated. Thank you very much. Allan Stephensen, August, 2007.
|